Voice vs. Literary Laryngitis

Under the category of “writing,” I hoped to put together some awesome advice. Alas, my hopes are dashed, my dreams obliterated.


Advice has been a treacherous path for me, both given and received. I’ve seen wonderful stories never reach the light of day. I do not want to see that happen to you.

Let me explain…

When all is said and done, your voice is what counts.

Before you ask the question that takes you down a fateful path–“What makes a bestseller?”–let me tell you how I went numb and dumb.

The first draft is a delight to write. Your creative juices are flowing, you’re free to word it any way you want. All you’re trying to do is get the story down.

Then comes revision. Not so bad.

But, now, you’re up to the tiny details, people are reading it, giving opinions, you’re using software that underlines things… It’s like being nagged. Even as I write this, my writing aid program is correcting me, telling me I forgot an article, misspelled a word, need a comma. Arghhh! Shut up!

Then come the critiques, feedback, editing tips, requests for rewrite and revisions. “This chapter isn’t necessary,” “I was thrown out of the story here,” “I don’t think your character would say that.”

At a certain point, I closed my laptop and went out back, sat on my porch swing and watched the lizards crawl on the back wall, flirting with each other. They do that funny push up thing…


What is voice?

It’s you and the way you tell a story.

When someone hears a Michael Jackson song, they have no doubt who’s singing. Chuck Berry and Elvis Presley made Frank Sinatra and Bing Crosby take a back row seat. You may be saying “Who?” but they were the top sellers of the time.

Do you know why?

First and foremost, they were original.

The first time Elvis Presley performed on TV (The Ed Sullivan Show September 9, 1956) it was shocking. After Elvis’s wiggly legs embarrassed everyone (except his screaming fans), the censors decided to keep the cameras above his waist during his second appearance. It’s mild for kids today, but back then, it earned him the nickname “Elvis the Pelvis.”

When Michael Jackson sang “Billie Jean” and moonwalked across the stage the first time, the crowd went wild. They knew the song from the first two notes and jumped to their feet.

It wasn’t that we hadn’t seen and heard someone do these things before. But Elvis and Michael had formed a unique personal combination, their own style.  They did what they loved, what energized them, then put it all together, tried it out on audiences, and perfected it through feedback.

As performers, they got the desired response from the audience.

And that’s what a writer has to do with a reader.

My favorite author, Charles Dickens, had a motto:

“Make them laugh, make them cry, make them wait.”

If you write suspense, horror, or thrillers, you might have a motto of “Make them love, make them worry, make them scream.”

Whatever your motto, create an effect on your reader with your own voice.

With all the rules–grammar, punctuation, point of view, show-don’t-tell, ad nauseam–none of them take precedence over voice. You do need the rules as a means to create the effect. But, whatever you do, don’t sacrifice your style to please an editor, agent, or publisher.

The moment you take on someone else’s style, you lose your voice.

Be original, be you.

After all, it’s YOUR story.

I’d love to hear your opinions and feedback on this. Please leave your comment. Please use the form below.

Writing Tools


With almost seventy percent of Americans wanting to write, one would think there would be far more tools out there. It has taken some time for me to find them.  Let me save you some time and effort.

My first breakthrough in my quest to find economical sources for critiques and editing was Critique Circle.  My second breakthrough I found in their forum, ProWritingAid.  Here’s why you should use both of them:

  • You get both sides of the coin as a writer
  • You save a ton of money on editing

When you write, you may experience a cycle of content and discontent.  In other words, there may be times when you hate your work or get sick of it.  Dorothy Parker once said, “I hate writing, I love having written.”  It’s easy for a published author of several novels to say it’s a wonderful career.  He or she has completed their work and it was accepted.

But, when you’re in the middle of a novel and you’re running out of steam, you may need a break.  That’s when I head on over to Critique Circle and start reading someone else’s work.  It’s FREE but you can upgrade for more benefits.  The most that would cost is $10 for one month or less than $4 a month if you pay for the year.  Well worth it if you have an entire novel written.

Here are a few of the benefits I’ve experienced:

  • I discovered I know stuff (grammar, spelling, punctuation)
  • It felt really good to help someone else do what I want to do
  • By critiquing as a reader, I learned more as a writer
  • I realized, as a writer, I’m not alone
  • The buddy system is almost like being in college
  • The two to one ratio of critique/getting critiqued kept me writing
  • I was compelled to be courageous and let someone else see my work
  • I found critiques from strangers far more honest than friends and family
  • I’ve saved time, money, and potential embarrassment

At Critique Circle (CC), they call critiquing “critting” — which would make us “critters,” I guess.  Here’s a video on how it works.

Before you post your blog, assignment, short story, poem, or chapter, head over to ProWritingAid.  “Critters” only have a certain amount of time and patience.  If the work is riddled with spelling, grammar, and punctuation errors, the critiquer has little time to critique the story.  It’s a waste of the writer’s and reader’s time.  At ProWritingAid, you can copy-paste your work into their writing tool and fix the English.

They also have a plagiarism tool and a lot of other goodies but it’s only free for the first 500 words.  Premium is $40 for the year (or less if you buy two years and so on–pro-rated).  Consider the cost of editing (average of $35/hour) and you’ll see it’s worth it.

If you know about other economical tools and groups that have helped you as a writer, please share the information in the comments below.  You can also let me know what information you’d like to see in the next blog.

See you at Critique Circle.